The Cramps – Songs The Lord Taught Us – [A few undisputable facts]

February 2, 2012 § 1 Comment

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A few undisputable facts about The Cramps.
The Cramps were, and still are the most deranged and dangerous band ever. There will never ever be a  cooler or better sounding alias than Lux Interor. Poison Ivy was (and still is) one of the sexyest women in rock’n’roll. Lux Interior & Posion Ivy have been together from 1972 until Lux left (t)his world 2009 (R.I.P). They were the one and only rock’n’roll couple, here’s your thought for Valentine’s Day (Of The Dead). The title of their first album, this album, is one of the greatest titles in rock music ever: remember to file under sacred music. They played in a mental hospital, and watching the tapes now, the only difference between the inmates and the band seem to be the instruments. They were outcast. They were ghouls of rock’n’roll feeding on the flesh of dead and long forgotten music, sucking out the excitement and danger of a genre that was later deprived of all of these juicy features. They were the Dr. Frankenstein of rock’nroll. They were the Frankenstein monster of rock’n’roll.  They told us how to be cool, in one easy lesson. The Cramps were not  ironic: though dripping with black humor and the sexyest sleaziest lyrics you may find around, they were dead serious at what they did. Pictures are worth many words on this issue. When they played in Italy for the first time ever in 1980 in Milan (supporting The Police, believe it or not), people were so astonished and puzzled that most of the audience was just staring at the stage, jaw to the floor: at the zombie dance nobody moved. True story. When me and my friend Alessio “The Baron” put together a band we couldn’t find a bass player: we decided that we didn’t need one, because The Cramps didn’t have one. I wasn’t a very good singer so I soaked my voice in echo, as Lux Interior always sounded like two (haunted) singers howling from a cave. Their drummer sounded like a robot and looked like a zombie. We didn’t have a drummer at first, so we played with a robot: a drum machine called Mr. Grady. When we found a drummer he said never held a pair of sticks before: we gave him a Cramps tape, and a week later we had our first rehearsal together.

A few words on Man Or Astroman: here. To this I may add that Destroy All Astromen! is maybe their best album (even if it’s not an album). Or at least it is my favorite…

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Encoded from a TDK FE60 cassette.
Noise, cracks and hissing are intentionally left untouched.

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